Flemish painter and printmaker
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| The Painter and the Buyer (c.1565) Pen and ink on paper |
We know little about Pieter's life: born around 1525, somewhere near the Flemish town of Breda (probably Breughel). He traveled to France and Italy and returned to Antwerp in 1551, becoming master in a painter's guild. Continuous travels between Italy and the (then) Netherlands influenced his themes, becoming more socially oriented. Finally settled in Brussels some ten years later, where he died. He began a lenghty dynasty of painters: his two children, Jan and Pieter, developed a more Baroque taste for landscapes, and Jan's son also became a painter (Jan the Younger); but they all lacked the critical eye of their forefather.
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| Netherlandish Proverbs (1559) Oil on panel, 117 x 163cm, Staatliche Museen, Berlin |
Enormously influenced by Bosch - like all Dutch artists at the time- his early large-scale works are chaotic and full of detail (like Netherlandish Proverbs, right), demons and fantastical creatures abound but without the first-time originalty of Bosch. His later style (from Brussels) is more calm, focusing on peasants and faithfully depicting their way of life with a subtle humour that emphasizes human foolishness, making his themes strikingly recognizable in our own days...


Interesting painter and interesting oil-on-oak-panel painting, this one of the Netherlandish Proverbs. I have learnt that around 100 proverbs are depicted in this work through lots of details, so it can be considered a kind of illustration of sayings that were very popular at Bruegel’s time. One can spend hours trying to spot and understand the different maxims represented there, learning at the same time about the human condition.
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